what if u woke up and ur fav fictional character was snuggled next to u and they were like “good morning”
nemo.. you cant be here.. your dad will be worried sick
“i want to wear shorts because it’s hot but i really hate my legs” an autobiography
“I want to wear shorts but i didnt shave” the sequel.
“I want to wear shorts but I don’t tan and I’d rather not blind you” The trilogy
“I want to wear shorts but my huge dick always sticks out” a pop-up book
a pop up book
Mornings would suck less with this alarm :)
there is nothing easy about taking a man’s life no matter how little value it may have. but when you get it done, you have to forget it. i guess i haven’t quite got that last part down.
so my mum told me that as a kid she would peel an apple and throw the peel over her shoulder, and the peel would take the shape of the first letter of her future spouse. naturally, i decided to do it and
i’m fucking crying
it says ‘no.’
it literally says NO.
oh my god
Still to this day my favorite comic
|—||Jonathan Safran Foer, Extremely Loud and Incredibly Close (via larmoyante)|
And sometimes I have kept my feelings to myself, because I could find no language to describe them in.
|—||Jane Austen, from Sense and Sensibility (Penguin Classics, 2003)|
The greatest “DID YOU JUST” face in cinematic history.
I am here for Ellie Satler scoring points off Alan Grant at any time of day.
A Femme Fatale (french for “Fatal Woman”) is a mysterious and seductive woman. Whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations. She is an archetype of literature and art. Her ability to entrance and hypnotise her victim with a spell was in the earliest stories seen as being literally supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, vampire, witch, or demon, having power over men. The phrase is French for “fatal woman”. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, and sexual allure. In some situations, she uses lying or coercion rather than charm. She may also make use of some subduing weapon such as sleeping gas, a modern analog of magical powers in older tales. She may also be (or imply that she is) a victim, caught in a situation from which she cannot escape. Often portrayed in Hollywood’s Film Noir, during the 40s and 50s.